UNA CASA PARA JUAN NAVARRO BALDEWEG.

Establishing the relations between the world of plastic project concerns and materially defined architectural forms is a step that arises in the work of many architects, including Juan Navarro Baldeweg as a leading figure. The underlying mechanisms concealed in nature around us and the physical forms that boost our creative drive are originated, a priori, in the same way for all the branches of art creating that bond between them. This article aims to achieve, through the figure of the architect, sculptor, painter and writer, Juan Navarro Baldeweg, and his project "A house for an intersection," that conception of the artistic work where all the arts are related and intertwined to each other in the early stages their genesis, from the birth of an idea to its final result, materialized with the hand in the first steps, quasi physiological and influenced by the energies that are related to it.

Published in: Revista de EGA Vol. 21; no. 28; pp. 180 - 190
Main Authors: Martínez-Díaz, Enrique, Hidalgo Delgado, Francisco
Format: Article
Published: Revista EGA 2016
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Summary: Establishing the relations between the world of plastic project concerns and materially defined architectural forms is a step that arises in the work of many architects, including Juan Navarro Baldeweg as a leading figure. The underlying mechanisms concealed in nature around us and the physical forms that boost our creative drive are originated, a priori, in the same way for all the branches of art creating that bond between them. This article aims to achieve, through the figure of the architect, sculptor, painter and writer, Juan Navarro Baldeweg, and his project "A house for an intersection," that conception of the artistic work where all the arts are related and intertwined to each other in the early stages their genesis, from the birth of an idea to its final result, materialized with the hand in the first steps, quasi physiological and influenced by the energies that are related to it.